Showing posts with label kent robertson. Show all posts
Showing posts with label kent robertson. Show all posts

Thursday, August 18, 2011

Borja Hansen Plot Thickens As Chevron Flack Robertson Releases Sealed Document To News Media

Chevron spokesman Kent Robertson

Read the latest about Chevron operatives Kent Robertson, Diego Borja and Wayne Hansen at these two excellent blogs by Amazon Watch and the Rainforest Action Network.

Diego Borja

Here are a couple of eye-opening excerpts:
"The contents of Hansen’s emails to his Chevron handler clearly show that he was engaged in some sort of underhanded activity on behalf of the company, was expecting a big payday, and, at the time of writing, fears he may have been left out in the cold."
In the weeks after he and an Ecuadorian Chevron contractor named Diego Borja executed their scheme, Hansen writes to his contact at Chevron:
"I have been waiting for your call, you said you would call me. ... It seems that the oil co has cut a deal with Diego and I have not heard a word from anyone but Diego. What am I to think?"

Wayne Hansen as a young convict

Wednesday, June 16, 2010

Shan: Chevron Loses a Round in First Amendment Battle over Ecuador Film Footage

The below post appeared on ChevroninEcuador.com today – take a look below or after the jump:

Victory for First Amendment, Filmmakers, & Amazon Communities in Battle Vs. Chevron Over Ecuador Footage!

Chevron suffered a significant legal setback in the courts today in its sprawling cynical effort to evade accountability for its environmental devastation in Ecuador

Today, the U.S. Court of Appeals for the Second Circuit ruled that acclaimed filmmaker Joe Berlinger will get an Appeals Court hearing of his appeal of the lower court decision ordering him to turn over 600+ hours of raw footage shot during the making of his award-winning documentary CRUDE. The ruling by the three-judge panel of the Circuit Court also 'stays' the subpoena ordering the production of the footage while Berlinger's appeal is pending.

This is excellent news for supporters of the U.S. Constitution and the First Amendment, and documentary filmmakers and investigative journalists– and everyone that benefits from the work done by these people to shine a spotlight on issues of social and political importance. In other words, this is great news for everyone.

Furthermore, this is a victory for those who have dared to discover the truth about Chevron's environmental disaster in Ecuador, and the communities struggling to hold the oil giant accountable.

Chevron's lawyers from corporate law behemoth Gibson Dunnhope to mine the CRUDE outtakes for any material that they might find useful to their relentless legal and public relations schemes to discredit the plaintiffs, their attorneys and supporters, and the courts in Ecuador.

In response to the ruling, Mr. Berlinger's lawyer Maura Wogan told The Wrap:

"Today's decision signals that the appeals court takes seriously the rights of investigative journalists like Joe Berlinger."

And Joe Berlinger had this to say:

"I am delighted that the appellate court seems to understand the significant public interest in my appeal being heard. The stay that was granted today will allow us to argue the merits of our position before the Court."

The ruling by the Circuit Court of Appeals vindicates the position of the growing number of high-profile supporters who have spoken out for Berlinger.

On Friday, film legend and environmental activist Robert Redford penned a powerful opinion article in the Huffington Post, entitled 'Joe Berlinger vs. Chevron: Why We Must All Defend Independent Filmmaking'.

Redford's argument couldn't be more straightforward:

Filmmakers like Joe Berlinger fulfill a crucial role in today's society by providing independent information on pressing contemporary human rights and social issues. Their success as storytellers depends on access to those men and women willing to talk on camera. If the subjects of those documentaries are fearful of the ramifications of telling the truth then the filmmaker has no story.

Without a shield law, there is no recognized journalist/filmmaker/source protection, creating the very scenario we have now. The judges in this case must recognize this is first and foremost a first amendment issue. The higher courts need to overturn the decision and adhere to higher standards of journalistic privilege.

If we allow the voice of the independent artist to be stifled we should expect nothing less than extreme repercussions for freedom of information... and freedom in general.

Also last week, Floyd Abrams, perhaps the best-known First Amendment lawyer in the country, filed an Amicus Curiae (friend-of-the-court) brief with the U.S. Court of Appeals for the Second Circuit. The brief was joined by 13 (!) major media organizations– ABC, CBS, NBC, HBO, The Associated Press, Dow Jones, The Washington Post, The New York Times Company, Gannett Company, Hearst Corporation, the Daily News, the Directors Guild of America, and the International Documentary Association.

The New York Times' Dave Itzkoff, who has been following the case closely for the Arts Beat blog at NYTimes.com, wrote:

The brief says the district court's ruling "was fundamentally flawed" in its interpretation of the 1999 case Gonzales v. NBC, in which the Court of Appeals for the Second Circuit held that even confidential materials can be released if they are likely to be relevant to a significant issue in the case and are not reasonably obtainable elsewhere.

Judge Kaplan's ruling, the brief said, "effectively shifted the burden of alleged unfairness onto the filmmakers, rendering this circuit's requirement of a relevance showing meaningless," and "made it far too easy for Chevron to obtain far too much, precisely what Gonzales forbids."

In the June 1, 2010 amicus brief, Abrams writes more on Judge Kaplan's misreading of the Gonzalez case and gets to the the real heart of the matter:

The vast distance between the District Court's reading of Gonzales and its text and spirit is illustrated by the Court's emphasis in both its May 10 and May 20 orders on the proposition that, because the individual subjects captured in the outtake footage voluntarily chose to expose themselves to public scrutiny through the inevitable screening of a completed film, it would "not credit any assertion that the discovery of the outtakes by Petitioners would compromise the ability of Berlinger or, for that matter, any other film maker, to obtain material from individuals interested in confidential treatment." This analysis completely ignores the relationship between a documentary filmmaker and the individuals that he or she interviews; it assumes, wrongly, that the participants in such a project would see no difference between the public circulation of a final film painstakingly prepared and edited by the filmmaker who solicited their contribution and whom they entrusted with telling their story and the potentially unlimited display of their every word in a widely-publicized multi-billion dollar international litigation.

And lastly, last week ahead of today's hearing, NPR's All Things Considered covered the legal battle in a story called 'A 'Crude' Awakening: Chevron Vs. The Documentarian'. The story predictably gives Chevron lawyer Randy Mastro of Gibson Dunn and company spokesman Kent Robertson each a chance to weigh in with their cynical spin. After today's loss in the courts over their attempts to get at Berlinger's CRUDE outtakes, I'm sure they're huddling up to devise their next tactic in Chevron's treacherous strategy to deceive, deny, and delay... until it all goes away.

But the communities in Ecuador's Amazon rainforest have other plans, and have vowed to struggle until they get the justice that has been denied them so long.

And of course, Berlinger's legal battle isn't over. While the Circuit Court stayed the lower court's order to turn over all his raw footage to Chevron, Berlinger still has to argue his case on appeal. Want to help with the costly legal battle? Any amount you can donate to the CRUDE First Amendment legal defense fund is deeply appreciated.

And if you still haven't seen the explosive, award-winning documentary CRUDE, see it, and judge for yourself.

– Han
Han Shan is Coordinator of Amazon Watch's Clean Up Ecuador Campaign

Friday, February 6, 2009

Director of Crude Points Out Lies

Interesting letter to the editor in today's Washington Times. Apparently filmmaker Joe Berlinger wasn't thrilled with Chevron's misinformation about the production of the documentary. Read on:

In his article about the ongoing legal battle against Chevron Corp. in the Ecuadorean Amazon ("Chevron urges U.S. to revoke Ecuador trade," Nation, Thursday), Tom LoBianco mentions that Chevron "has been bombarded with negative stories surrounding the lawsuit and is the target of a new documentary produced in part by the plaintiffs in the lawsuit." I assume that the documentary Mr. LoBianco refers to is my film "Crude," which premiered to great critical acclaim at the Sundance Film Festival last month. Contrary to your article, "Crude" was in no way produced by the plaintiffs or anyone affiliated with either side of the lawsuit. The film is a wholly independent production and was made with the cooperation of representatives of both the plaintiffs and Chevron, including Kent Robertson, the Chevron spokesperson quoted in Mr. LoBianco's article. In fact, I invited Kent Robertson to participate in the film's premiere in Park City, Utah - which was attended by the festival's founder, Robert Redford - but Mr. Robertson declined my invitation.

Making "Crude" was an intense, often grueling three-year process, and we worked extremely hard to ensure that the film presents an accurate portrayal of this highly controversial and complicated case. Following the screenings at Sundance, the film was widely praised by critics and journalists not only for its artistic merits, but also for its editorial balance and fairness to all sides of the lawsuit. For example, James Nelson of Agence France-Presse wrote, "Berlinger clearly knows about balance in covering an important issue." David Germain of Associated Press calls the film "a fairly balanced portrait of the case, with Chevron's side well represented."

To my knowledge, Mr. LoBianco has not yet seen the film, so his characterization of the film as a partisan attack on Chevron is troubling and makes me wonder where his information is coming from. Unlike my film, the writer of your article did not seem to think it was important to either see the film or to research the false claim of the film's partiality.

JOE BERLINGER

Director/producer, "Crude"

Hmmm. Looks like the Washington Times has egg on their face on this one. I bet they're not super thrilled with the Chevron PR guys right about now - looks like they trusted what this "Kent Robertson" told them about the production of the film and then they got burned.
I guess that's one newspaper that won't be rushing to do Chevron any favors anytime soon.